MUSIC THEORY CURRICULUM
Table of Contents
Thirteen books build from the foundations of music to advanced theory,
counterpoint, and composition.
BOOK II — Pitch
- 13. What Is Pitch?
- 14. Exploring the Piano
- 15. The Musical Alphabet
- 16. Octaves
- 17. The 12 Tones
- 18. Half Steps & Whole Steps
- 19. Tuning Musical Pitch
- 20. Tuning Systems & Temperament
- 21. Pitch in Practice
BOOK III — Reading Music
- 22. The Staff
- 23. Treble Clef
- 24. Bass Clef
- 25. Grand Staff
- 26. Ledger Lines
- 27. Reading Notes on the Piano
- 28. Reading Melodies
BOOK IV — Rhythm
- 29. Beat and Pulse
- 30. Note Values
- 31. Rests
- 32. Measures
- 33. Time Signatures
- 34. Simple Meter
- 35. Compound Meter
- 36. Dotted Notes
- 37. Ties
- 38. Syncopation
- 39. Rhythm Reading
BOOK V — Scales & Tonality
- 40. What Is a Scale?
- 41. The Major Scale
- 42. Scale Degrees
- 43. Major Keys
- 44. Key Signatures
- 45. Circle of Fifths
- 46. Minor Scales
- 47. Relative Major & Minor
- 48. Parallel Major & Minor
BOOK VI — Intervals
- 49. What Is an Interval?
- 50. Seconds
- 51. Thirds
- 52. Fourths
- 53. Fifths
- 54. Sixths
- 55. Sevenths
- 56. Octaves
- 57. Major & Minor Intervals
- 58. Perfect Intervals
- 59. Augmented & Diminished Intervals
- 60. Interval Inversion
BOOK VII — Chords
- 61. What Is a Chord?
- 62. Triads
- 63. Major Triads
- 64. Minor Triads
- 65. Diminished Triads
- 66. Augmented Triads
- 67. Root Position
- 68. First Inversion
- 69. Second Inversion
- 70. Seventh Chords
- 71. Chord Symbols
BOOK VIII — Harmony
- 72. Diatonic Chords
- 73. Roman Numerals
- 74. Harmonic Function
- 75. I — IV — V
- 76. I — V — vi — IV
- 77. ii — V — I
- 78. Cadences
- 79. Chord Progressions
- 80. Chord Progression Analysis
BOOK IX — Melody
- 81. What Makes a Melody?
- 82. Motifs
- 83. Musical Phrases
- 84. Antecedent & Consequent
- 85. Melodic Contour
- 86. Repetition
- 87. Sequence
- 88. Tension & Release
- 89. Melodic Direction
- 90. Writing a Melody
BOOK X — Voice Leading
- 91. What Is Voice Leading?
- 92. Four Voices
- 93. Common Tones
- 94. Stepwise Motion
- 95. Parallel Fifths
- 96. Parallel Octaves
- 97. Hidden Fifths & Octaves
- 98. Voice Crossing
- 99. Spacing
- 100. Writing Four-Part Harmony
BOOK XI — Form & Musical Structure
- 101. Motif
- 102. Phrase
- 103. Period
- 104. Binary Form
- 105. Ternary Form
- 106. Rondo
- 107. Theme & Variation
- 108. Sonata Form
- 109. Musical Development
- 110. Form Analysis
BOOK XII — Counterpoint
- 111. What Is Counterpoint?
- 112. Species Counterpoint
- 113. Consonance & Dissonance
- 114. Passing Tones
- 115. Neighbor Tones
- 116. Suspensions
- 117. Imitation
- 118. Canon
- 119. Contrapuntal Development
- 120. Writing a Two-Voice Invention
- 121. Counterpoint Analysis
BOOK XIII — Composition
- 122. Starting a Composition
- 123. Creating a Motif
- 124. Developing a Motif
- 125. Writing a Melody
- 126. Choosing Harmony
- 127. Bass Lines
- 128. Accompaniment Patterns
- 129. Cadences
- 130. Modulation
- 131. Writing an 8-Bar Phrase
- 132. Writing a Complete Period
- 133. Developing a Theme
- 134. Writing a Short Piano Piece